Tuesday, November 16, 2010

SKELETONS

Personally, I like a nice, solid, well designed skeleton, perfectly articulated, every bone accounted for, each joint working properly, adequate space for all the organs, tall, big boned, and naked.

Definitely naked.

Once created, I like to display my skeleton properly under some bright museum lights in the laboratory and then allow the scientists and anthropologists, the anatomy specialists and the interns a good thorough look while I take a little break.

I pat myself on the back for developing and assembling such a well developed set of bones.

I shuffle back home, turn on the television (DEADLIEST CATCH!) read a few books, get caught up on the months of laundry and wander out to the laboratory to gaze on my creation and celebrate my huge success.

Such a pretty skeleton.

Eventually that skeleton starts staring back and whispers little secrets to me: wouldn't I be a better friend if I had a brain—you know, if I only had a brain? Wouldn't you like to shake my hand . . . my flesh covered hand? Warm, good grip, firm. Don't you think I'd like to see you? Glasses, 20/20, lasik, whatever. Clothes . . . it's getting a bit nippy in here! I need a heart . . . I'm not the tin man for god's sake. Teeth? I might like to enjoy a meal now and again—or a throat even, for some beer. Fingernails? Hair? Muscles? I wanna be ripped.

I argue with my skeleton, my most perfect creation, and remind him that I put a LOT of hard work into his design. I really worked my butt off to get him assembled correctly. Maybe I like him naked.

Ah, yes, perhaps, but I'm only HALF a novel and a half is not a whole.

Whatever.

We argue a lot. I tell him to move aside from the TV because Breaking Bad is up next. He blocks it and I have to peer between his ribs which starts to get old really fast.

Other people start dropping by and commenting on how I've taken this skeleton thing a bit too far, how my work is CLEARLY only half done, dude, can't you give that guy some clothes to wear.

And then I watch some more TV.

And THEN the voices really start to annoy me and I get really pissed off and I return to my skeleton and start looking at him. At his bones. And they just don't look like enough anymore. I thought I liked him that way . . . but he could be so much more if someone just loved him enough to dress him. And get him a beer.

It's a painful process. The novel and I both suffer a lot.

But the neighbors all thank me in the end.

4 comments:

  1. I always suspected you had skeletons in your closet. Can you tell me 100 things you know about your skeleton? I thought you could.

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  2. Ha ha ha. More than you know, darling, more than you know.

    And yes, I can tell you a 101 things about each of his bones now!

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  3. I think my skeleton has finally learned to walk and talk on his own, has formed a circulatory system, but sometimes has trouble with his voice. I surmise this because he shakes his head a lot and also sighs.

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  4. Just discovered this site thanks to the lovely 2011 Children's Writer's and Illustrator's Market guide by editor Alice Pope. I hope I can learn to hone my craft and get my work out to a larger audience of readers and fellow writers with your help.

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